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Paul Brill

Flemish painter , 1554-Rome 1626

Gemälde ID::  29010

Seascape
mk65 Oil on canvas 33 7/8x45 11/16in Uffizi,
mk65 Öl auf Leinwand 33 7/8x 45 11/16in Uffizi
Flemish painter , 1554-Rome 1626

   
 

 

 
   
      

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Gustave Caillebotte

French Impressionist Painter, 1848-1894

Gemälde ID::  37087

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mk116 1880-1884 Oil on canvas 73.6x100.3cm
mk116 1880-1884Öle auf Leinwand 73.6x100.3cm
French Impressionist Painter, 1848-1894

   
 

 

 
   
      

This artist (Edvard Munch) is not available now.

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Hirst, Claude Raguet

American Painter, 1855-1942

Gemälde ID::  39125

Seascape
mk143 1887 Oil on canvas 9x14in Butler institute of American Art
das Öl von mk143 1887 auf Leinwand 9x14in Diener Institut Amerikanisch Kunst
American Painter, 1855-1942

   
 

 

 
   
      

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Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919

Gemälde ID::  48984
Seascape
mk192 1879 64.8x99.2cm
French Impressionist Painter, 1841-1919

   
 

 

 
   
      

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CARLEVARIS, Luca

Italian Baroque Era Painter, ca.1665-1731

Gemälde ID::  63070
Seascape
147,5 x 179 cm Private collection Artist: CARLEVARIS, Luca Painting Title: Seascape , 1701-1750 Painting Style: Italian , , landscape
Italian Baroque Era Painter, ca.1665-1731

   
 

 

 
   
      

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Giovanni Battista Castagneto

painted Seascape in 1851 - 1900

Gemälde ID::  80885
Seascape
Oil on panel cjr
painted Seascape in 1851 - 1900

   
 

 

 
   
      

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Almeida Junior

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

Gemälde ID::  82210
Seascape
Date 1895 Medium Oil on canvas Dimensions 83 x 48 cm (32.6 x 18.90 inches) cjr
(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

   
 

 

 
   
      

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Ludolf Bakhuizen

(December 28, 1630 - November 17, 1708) was a German-born Dutch Golden Age painter who was the leading Dutch painter of maritime subjects after the two Willem van de Veldes (father and son) left for England in 1672. He was born in Emden, East Frisia, and came to Amsterdam in about 1650, working as a merchant's clerk and a calligrapher. He discovered so strong a genius for painting that he relinquished the business and devoted himself to art from the late 1650s, initially in pen drawings. He studied first under Allart van Everdingen and then under Hendrik Dubbels, two eminent masters of the time, and soon became celebrated for his sea-pieces, which often had rough seas. He was an ardent student of nature, and frequently exposed himself on the sea in an open boat in order to study the effects of storms. His compositions, which are numerous, are nearly all variations of one subject, the sea, and in a style peculiarly his own, marked by intense realism or faithful imitation of nature. In his later years Bakhuizen employed his skills in etching; he also painted a few examples each of several other genres of painting, such as portraits, landscapes and genre paintings.

Gemälde ID::  82987
Seascape
Date 17th century Medium Oil on canvas Dimensions 44.5 x 55.2 cm (17.5 x 21.7 in) cjr
(December 28, 1630 - November 17, 1708) was a German-born Dutch Golden Age painter who was the leading Dutch painter of maritime subjects after the two Willem van de Veldes (father and son) left for England in 1672. He was born in Emden, East Frisia, and came to Amsterdam in about 1650, working as a merchant's clerk and a calligrapher. He discovered so strong a genius for painting that he relinquished the business and devoted himself to art from the late 1650s, initially in pen drawings. He studied first under Allart van Everdingen and then under Hendrik Dubbels, two eminent masters of the time, and soon became celebrated for his sea-pieces, which often had rough seas. He was an ardent student of nature, and frequently exposed himself on the sea in an open boat in order to study the effects of storms. His compositions, which are numerous, are nearly all variations of one subject, the sea, and in a style peculiarly his own, marked by intense realism or faithful imitation of nature. In his later years Bakhuizen employed his skills in etching; he also painted a few examples each of several other genres of painting, such as portraits, landscapes and genre paintings.

   
 

 

 
   
      

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Giovanni Battista Castagneto

painted Seascape in 1851 - 1900

Gemälde ID::  85014
Seascape
Medium Oil on panel cyf
painted Seascape in 1851 - 1900

   
 

 

 
   
      

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Almeida Junior

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

Gemälde ID::  85100
Seascape
1895 Medium Oil on canvas Dimensions 83 x 48 in (210.8 x 121.9 cm) cyf
(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

   
 

 

 
   
      


Gemälde ID::  85592
Seascape
1894(1894) English: Oil on paperboard Dimensions 46.5 x 31.5 cm (18.3 x 12.4 in) cjr
1849-1912

   
 

 

 
   
      

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Eduardo de Martino

painted Combate naval in 1838 - 1912

Gemälde ID::  87192
Seascape
Oil on canvas Dimensions 16 x 19 cm (6.3 x 7.5 in) cyf
painted Combate naval in 1838 - 1912

   
 

 

 
   
      

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Nikolay Nikanorovich Dubovskoy

Russian, December 17, 1859 - February 28, 1918) was a Russian landscape painter. He studied from 1877 to 1881 at the Imperial Academy of Arts in Saint Petersburg under Mikhail Konstantinovich Klodt. In 1886, he became a member of the Peredvizhniki (the Wanderers), a group of Russian painters. In 1900, he became a member of the Academy of Arts.

Gemälde ID::  87944
Seascape
Oil on canvas. 14.3 x 17.5 cm .1911 cjr
Russian, December 17, 1859 - February 28, 1918) was a Russian landscape painter. He studied from 1877 to 1881 at the Imperial Academy of Arts in Saint Petersburg under Mikhail Konstantinovich Klodt. In 1886, he became a member of the Peredvizhniki (the Wanderers), a group of Russian painters. In 1900, he became a member of the Academy of Arts.

   
 

 

 
   
      

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Nikolay Nikanorovich Dubovskoy

Russian, December 17, 1859 - February 28, 1918) was a Russian landscape painter. He studied from 1877 to 1881 at the Imperial Academy of Arts in Saint Petersburg under Mikhail Konstantinovich Klodt. In 1886, he became a member of the Peredvizhniki (the Wanderers), a group of Russian painters. In 1900, he became a member of the Academy of Arts.

Gemälde ID::  88627
Seascape
1906. Oil on canvas. 34 x 44,5 cm. cjr
Russian, December 17, 1859 - February 28, 1918) was a Russian landscape painter. He studied from 1877 to 1881 at the Imperial Academy of Arts in Saint Petersburg under Mikhail Konstantinovich Klodt. In 1886, he became a member of the Peredvizhniki (the Wanderers), a group of Russian painters. In 1900, he became a member of the Academy of Arts.

   
 

 

 
   
      


Gemälde ID::  89846
Seascape
1894(1894) Medium Svenska: Olja på papp English: Oil on paperboard Dimensions 46.5 x 31.5 cm (18.3 x 12.4 in) cyf
1849-1912

   
 

 

 
   
      

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Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919

Gemälde ID::  93126
Seascape
1879, oil on canvas cjr
French Impressionist Painter, 1841-1919

   
 

 

 
   
      

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Almeida Junior

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

Gemälde ID::  96458
Seascape
1895 Medium oil on canvas Dimensions 83 X 48 in cyf
(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

   
 

 

 
   
      

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ALBERTINELLI Mariotto

Italian Early Renaissance Painter, 1474-1515

Gemälde ID::  96868
Seascape
1912(1912) Medium oil on canvas Dimensions 48 X 69 cm cyf
Italian Early Renaissance Painter, 1474-1515

   
 

 

 
   
      


Gemälde ID::  97953
Seascape
Oil on paperboard Dimensions 46.5 x 31.5 cm cyf
1849-1912

   
 

 

 
   
      

August Strindberg
1849-1912
Seascape

        
 
   
 

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